Bookchat: A.F Harrold, poet and author

banner newThe last time I saw A F Harrold, he was performing poetry to a classroom full of utterly enraptured children at the Bookchat Roadshow.  It was absolutely brilliant to see how much the children enjoyed the poems and the performer!  I’m delighted he is joining us today to talk about his new book, Greta Zargo and the Death Robots from Outer Space (review available here, illustrated by Joe Todd Stanton) and all things writing. Thank you for participating Mr Harrold!

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A F Harrold performing poetry

Congratulations on the publication of Greta Zargo and the Death Robots from Outer Space! It’s fun, full of quirky characters and a great mix of sci-fi and sleuthing . Can you tell us about the inspiration behind it? Hi Victoria. Greta comes from a combination of things I typed and things I mistyped. Back in the first Fizzlebert Stump book one of the books Fizz borrows from the library was called The Great Zargo of somewhere or other. It sounded a good sort of science fictiony sort of thing Fizz might enjoy, and when I came, a few years later, to start thinking about a new series the name popped back into my mind. I type quite quickly, but because of the ways in which my fingers move there are a few words I’m forever typing wrong and having to go back and correct… one of these is ‘great’, which, if I’m typing at a gallop, always comes out ‘greta’. And so Greta was born, inside the spelling mistake that appears inside the book!

I’ve always read science fiction, and always loved science fiction, but I’d never really written any (The Song From Somewhere Else probably counts, but that’s about it), and this seemed a bit odd. So I wanted to write some. And I wanted it to be funny. Because funny books are a Good Thing. And so, after a lot of sitting around and staring into the air, several baths, and quite a few biscuits, Greta Zargo and the Death Robots from Outer Space was born.

Throughout the story there are footnotes (or more appropriately sidenotes) adding interesting anecdotes to the narrative which I loved; why did you decide to include these?  Who doesn’t love footnotes? They’re a way of having ‘a bit more’ without getting in the way of the story. They’re especially useful for (a) comedy (because you add in extra jokes) or (b) academic articles about herring pickling in 18th century Sweden (because you can cite your sources). Fortunately, as far as I can see, no one has mistaken Greta Zargo for an academic article about herring pickling in 18th century Sweden.

There are some wonderful and quirky characters in the story. I particularly loved Greta’s eccentric Aunt. Where do you draw inspiration from for your characters? And I have to say, how do you decide on the fantastic names you’ve given them?! Characters just walk into scenes as I type and if they’re at all interesting then they stay. There are occasionally very boring ones who turn up, but I’m ruthless in deleting them at the first opportunity, unless they’re boring in a funny way. That might sound a bit odd, but it’s true, the best characters walk in and surprise me. I don’t know what they’re going to say to Greta when she questions them and I listen to their answers as I type them. This is the most exciting bit about writing these books, I think, is finding out about the inhabitants of Upper Lowerbridge at the same time as the reader.

Where do their names come from? I blame the parents.

Being married to huge fan of cake, I can very well imagine the consternation if cake was stolen from my household. Can you tell us- 1) do you eat cake? 2) if so, what is your favourite? 3) if not, why not? (And what do you have with tea if not cake?!) (1) Yes, I eat cake if the opportunity arises. (2) I’m going to say Battenberg, because it has just the right amount of marzipan. (3) I said I do, so I don’t have to answer this one.

The sci-fi elements in the story are great and often times, very amusing – even with the inevitable destruction of planets going on – the Bar-Tarry-Tuffians spring to mind! Did this involve any scientific research – I’m thinking of the impressive references to hyper spatial physics, measuring of light years and so on?! I don’t remember doing any particular research before writing any of the outer space chapters, other than a lifetime of reading and watching sci-fi and sci-fact books and programmes.

That lifetime of experience has been composting inside my head for long enough that some of it made sense when mixed up and spilt onto the page. It’s fascinating to look back and remember when I was a kid we knew of no other planets outside our solar system, and now there are thousands of exo-planets known. And as our techniques and our instruments become better we’re finder smaller and more Earth-like planets out there, even around nearby stars. I don’t doubt that on some of these worlds life has arisen, and maybe even what we would call ‘intelligent’ life.

The gaps between the stars are so immense though, that it would take many lifetimes for people to travel between and so one of the ways it has been suggested we explore the galaxy is by making self-replicating robots, like the ones in the book. Because these robots don’t grow old like we do, they could spend the centuries travelling between planets without dying or going mad. And when they get there, if they have the ability to make more copies of themselves they can then send those out to other star systems.

These self-replicating machines are called Von Neumann probes, and I don’t remember where I first heard about them. But they’re not my idea, just something that made its way into the book because it made sense. The lesson of this is – those useless bits of information you once learnt might turn out to be useful after all, so never turn them away… let them live in your head – one day they might become a book.

When you’re writing fiction, do words come more easily than when you’re writing poetry? Do you have a specific process for each form of writing? I try not to think too much about it, either sort of writing. I just try to get on with it, and sometimes it works and sometimes it doesn’t. And when it doesn’t and it feels like your banging an empty head against a brick wall of blank paper, then that just means it’s time to go have another bath.

When we last met at the Bookchat Roadshow, you had some wonderful advice for the audience regards encouraging children’s creativity. You said that whatever their means of expression – writing, art, poetry, drama – we should encourage children to express themselves in the way that’s best for them.  Who has given you the greatest encouragement for your work and what motivates you to keep writing? What motivates me to keep writing? That’s an odd question. I don’t know what else to do. I think it’s as simple as that. I don’t write every day and I don’t write an awful lot, but if I go any length of time without making something (and the making is usually with words in one way or another) then I feel antsy and irritable and unfulfilled and awkward and sad. I would make things with words (poems, stories, songs…) even if no one wanted to read them, even if no one was paying me to do it. Maybe not the books I’m writing right now, but who knows? (After all, I spent many years writing things that no one paid me for, before I ever had a book published.)

As for who has encouraged me… there’s such a long list, but a few I would like to mention include my editors at Bloomsbury, Kate and Hannah and Zöe, who have helped make the books we’ve published better than they would have been if I’d been doing it on my own. Part of their job is to send me back to my desk when what I’ve given them hasn’t been good enough, or funny enough, or right enough. And the fact they think I can do better makes me try harder and make the books better. Also my partner, Iszi, who suggested I try writing stories for kids, instead of just poems, in the first place. And more abstractly, out there in the world of children’s writing, many authors whose books I read or who I meet at events – they inspire me, by making Good Things themselves and showing that it can be done.

And finally, two very special sets of people – the kids I meet when I visit schools… the fact that some of them have been reading my books and seem to enjoy them makes the effort that sometimes went into making the books seem worthwhile – and secondly, the illustrators who get given my words and who make the books look so beautiful (Sarah Horne, Emily Gravett, Levi Pinfold, Chris Riddell and, for Greta Joe Todd-Stanton)… seeing what they do, the magic they work… oh it makes me want to do good, for them. I don’t want them wasting their time on any old rubbish!

So lots of people encourage and inspire me and my work.

Thank you so much for taking the time to join us and share the inspiration behind your work. 

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Read my review of Greta Zargo here.

Find out more at www.afharroldkids.com and www.joetoddstanton.com

With thanks to Bloomsbury Books for organising this interview.

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New review: Nothing Rhymes with Orange by Adam Rex

Just in time for National Poetry Day, I’m delighted to be reviewing the fantastic book, Nothing Rhymes with Orange by Adam Rex, author and illustrator of many picture books and novels.

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We all know nothing rhymes with orange. But how does that make Orange feel? Well, left out! When a parade of fruit gets together to sing a song about how wonderful they are – and the song happens to rhyme – Orange can’t help but feel like it’s impossible for him to ever fit in.   

As soon as I read about this book I knew I’d love it – and I do!  It’s a wonderful parable of how in order to fit in, we sometimes need a bit of help and for that to happen others need to make space and maybe adjust a little.

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It starts as an amusing poem celebrating the wonderful and varied fruit, but as Orange gets more downhearted and desperate to fit it, the rhymes get a little more ridiculous.  As Drew Daywalt said (author of The Day the Crayons Quit) “any picture book that can work in Friedrich Nietzsche and lycanthropic pears is a winner”.

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Even Orange can’t work out what’s going on, asking questions throughout, creating an emotional commentary alongside the fruit parade poem.  Finally, it’s a very intuitive Apple who realises certain fruit are “feeling rotten because they’ve been forgotten” and works out just how to help Orange fit in.  I won’t spoil it, but it’s genius in its childlike simplicity!

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The illustrations are a combination of photographs, text and drawing, bringing to life a vibrant cast of characters – the fruit we know and love. Young and old alike will enjoy this fruity tale, a good book to read aloud creating instant empathy. Original and with a great message celebrating difference, Nothing Rhymes with Orange is a wonderful book to help celebrate National Poetry Day!

Find out more at www.adamrex.com

With thanks to Abrams and Chronicle for sending me this book to review.

Bookchat Roadshow. Just brilliant!

It’s a week ago today that we were busy welcoming parents to the Bookchat Roadshow at Harlands Primary in Haywards Heath.  This was a unique event, bringing together children’s authors, publishers, education specialists, along with local organisations and the Public Library Service to share ideas with parents and carers.  And being the second event I was possibly even more nervous than the first time round! The first event had gone so well, would this one be the same?  I can safely say it was even better, not least because after the main event, the authors ran workshops with 240 children at the host school!

“The atmosphere is positively buzzing” one parent said to me – and I couldn’t agree more. It really was exciting and I am so grateful to my brilliant fellow presenters, participating authors and the organisations who were exhibiting for helping to make it this way!  After a lovely introduction by the school’s Headteacher, Jane Goodlace, I spoke to parents about encouraging reading and the importance of reading for pleasure. It’s not easy to do this in such a short time – there is so much you could say!059_The-Book-Activist-Bookchat-Roadshow But the crux was how to help your child’s enjoyment of reading through helping them choose the right book for them, taking into account their interests. I truly believe parents can be the best reading role models a child can have but as parents we often worry about our children’s reading and this can sometimes remove the joy of the experience – for both parent and child.  If we can remove the stress from the situation and focus on what children want to read and get enjoyment from, the path to discovering the magic of stories is much smoother!

“It was really helpful to confirm I am doing the right thing and to give me new ideas” Parent feedback

I was followed by Jane Walker from Barrington Stoke, who spoke brilliantly about reluctant readers and making reading accessible. It was fascinating to hear how Barrington Stoke produce books that are so readable on a practical level and also really helpful to hear how whether your child can’t read or won’t read, there are ways to support them. “Reading is for everyone” Jane said.

Moving on from this, author Nikki Sheehan was totally inspiring on how to encourage children’s creative writing, with brilliant and achievable ideas that all parents – and of course their children – could benefit from.  Her final comment was ‘be their inspiration’ – what better advice could you get?!  I was delighted that both Kate Manning and Clementine McMillan-Scott from Scoop Magazine joined the line-up and shared the story behind Scoop.  Their presentation focused on the importance of celebrating all kinds of stories, sharing that every reader is different and how we can all play a part in encouraging all types of reading and writing.

“Congratulations on delivering such an inspiring and positive event!” Parent feedback

On that note, the coffee break arrived, and the celebrating continued with attendees having the chance to peruse the exhibition.  Parents had the opportunity to ask advice from organisations including local education service Discover & Be, dyslexia specialists Helen Arkell, Inkpots Writing Workshops and Nature Nuture Sussex. Even the Schools Library Service and the Public Library Service were represented with parents able to join up if they weren’t already members and find out about the Summer Reading Challenge!  With a bookstall provided by Waterstones Haywards Heath, and Usborne books it was a hive of activity!

“Attendance should be compulsory; it was inspirational!” Parent feedback

The grand finale of the morning was the fantastic author panel Bookchat featuring four award winning children’s authors; Nikki Sheehan, Jamie Thomson, A F Harrold and Jenny McLachlan which I was very excited to be chairing.  There is something magical about authors sharing their ideas – they create the worlds we inhabit when we read and I like to think some of the magic rubs off on those who hear them!

A lively chat ensued with questions from the audience and the authors shared their best tips for getting children into reading and writing and why stories are so important. As a parent myself I am eager to encourage my children’s reading and hearing the author’s childhood experiences of books and stories was just brilliant!  It was the perfect consolidation of all the wonderful ideas and advice heard throughout the morning, but with the extra inspiration everybody needs.

“It was a fabulous morning with excellent presentations and entertaining authors” Parent feedback

After a quick lunch break, it was back to work for the authors who ran workshops with pupils in years three to six at the host school as well as signing lots of books!  On visiting each classroom, I can’t tell you how incredible it was to see the look at the children’s faces as each author brought their stories to life and inspired them with ideas for getting into reading and writing.

Jenny McLachlan talking to Year 6

Jenny McLachlan reading an extract from Stargazing for Beginners

Nikki Sheehan talking to Year 4

Nikki Sheehan working her creative magic

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Jamie Thomson aka The Dark Lord!

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A F Harrold performing poetry

Schools don’t often have the opportunity to benefit from one author visit, let alone four, so this was a real achievement! As you may know this Roadshow was supported with funding from West Sussex County Council and I am truly grateful to them for recognising the value of the Roadshow and the importance of empowering parents and carers to support their children.   

The Roadshow was a great success… The combination of authors, publishers and specialists provided a focus for everyone in the audience… The workshops went down incredibly well with teachers and especially the children.” 

Jane Goodlace, Headteacher of Harlands 

I am so pleased we had fantastic photographer, Adam Hollingworth, to help capture some of the magic of the Roadshow! Feedback for the whole event has been even more positive than I could have hoped for and I’d like to say a HUGE thank you to EVERYONE who supported the event and made it so special.  Bring on the next one!

All photographs courtesy of Adam Hollingworth Photography.

If you would like to get involved please contact thebookactivist@gmail.com.

With thanks to our funding partner:

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For more information about the Bookchat Roadshow visit www.thebookactivist.com.

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A.F. Harrold at the Bookchat Roadshow!

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 Helping parents and carers encourage their children’s reading and creative writing for pleasure.

The brilliant poet, performer and writer of children’s fiction A.F. Harrold is joining the line-up at the Bookchat Roadshow!

This event is especially for parents and carers to help them encourage theirA magnificent beard - AF Harrold by Naomi Woddis children’s reading and creative writing, and I am so excited A. F. Harrold is going to share his amazing imagination with all those attending.

He has written numerous wonderful books for children including the Fizzlebert Stump (illustrated by Sarah Horne) series – a particular favourite of mine to read aloud in the library! The first Fizzlebert Stump book was chosen as 2017’s Young City Reads book in Brighton and Hove. He has also written thought-provoking books such as The Imaginary (illustrated by Emily Gravett, longlisted for both the Carnegie and Greenaway Awards 2016)) and The Song From Somewhere Else (illustrated by Levi Pinfold). His children’s poetry collection, Things You Find In A Poet’s Beard is illustrated by Chris Riddell.  His new book, Greta Zargo and the Death Robots from Outer Space (illustrated by Joe Todd-Stanton) comes out in September.

A.F. Harrold will be participating in the author panel bookchat and sharing his experiences as a writer and thoughts on reading and creativity – and maybe even a line of a poem or two!!  He says:

“I’m very pleased to be taking part in the Roadshow, because I like to read and I liked to read when I was younger too, and sometimes it’s nice to share those things that make you happy. In this day and age the empathy and other-person’s-shoe-ness that reading, both fiction and non-fiction, can help nurture and grow inside a human heart cannot be a bad thing to encourage, so let’s encourage it.”  

The Bookchat Roadshow is an event designed especially for parents and carers bringing together authors, industry experts and people passionate about children’s reading and writing for pleasure.  With inspirational talks and an author panel bookchat, plus a selection of exhibitors, we give parents and carers a huge range of ideas to help them support their children. The next event takes place on 20th July 2017 at Harlands Primary School, Haywards Heath, West Sussex. Read all about our last event here.

For more information about the Bookchat Roadshow visit www.thebookactivist.com.

Chris Riddell & Friends, Imagine Fest 2017

Chris Riddell & Friends, Southbank Centre Imagine Fest, 9th Feb 2017

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It was half term for many schools in London last week coinciding with the Southbank Centre Imagine Children’s Festival which ran from 9-19 February.  A unique festival run by children for children, the Southbank Centre works with local primary schools to put together an amazing array of events to entertain and inspire.  Just one of these events was the Children’s Laureate, Chris Riddell & Friends presenting live illustration, readings and a glimpse into the inspiration behind their work.
The friends in question were Cressida Cowell, author of the How to Train Your Dragon series; Liz Pichon, author of the Tom Gates series and author and illustrator Posy Simmonds. Add to this a special surprise guest in the shape of Neil Gaiman and it was going to be a very special hour!
Chris began with some live illustrating,  drawing members of the audience as they sat waiting for the event to start! They were lucky enough to be given said illustrations to take home. He then introduced his guests through drawing them and shared his own excitement at having then join him on stage. Each guest was given fifteen minutes or so to share some of their writing and illustrating history, how they got started, and where the ideas for their hugely successful books came from. We even got to see some of their early childhood works, including scrapbooks which were fascinating.
All of them had sound advice for the young aspiring writers and artists in the audience. Which in a nutshell was: don’t let anyone tell you you won’t amount to anything or achieve anything through the art of telling stories in words and or pictures. And don’t let anyone hold you back by saying you’re no good at drawing or no good at writing (even if you have dyslexia, which Liz Pichon does).  Sat next to me was a young girl of about 13 who sat drawing in her sketchbook as she listened – inspiration in action.
Particularly special and perhaps a once in a lifetime moment, was Neil Gaiman reading aloud from Fortunately the Milk whilst Chris Riddell illustrated live on screen. Neil also shared his poem Witch Work with illustrations Chris had drawn earlier. Wow.
It was an utterly inspiring event – a wonderful celebration of stories and illustration. It never ceases to amaze me how a person can put pen to paper a draw the most incredible characters and create the most wonderful stories.
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Crossan and Conaghan at Waterstones Brighton.

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I was somewhat excited about hearing Sarah Crossan and Brian Conaghan talk about their new book We Come Apart at Waterstones, Brighton and arrived about 45 minutes early in my haste to get there on time.  The seats filled quickly and the talk began, brilliantly chaired by Nikki Sheehan (author of Swanboy and Who Framed Klaris Kliff?).  It was absolutely fascinating to hear the story of how two award winning authors with such unique writing styles came together to produce what will no doubt be a bestseller.  We Come Apart, written entirely in verse, tells the story of Nicu, an immigrant from Romania and his relationship with Jess, a a fellow teenager with a troubled home life.  I’m looking forward to reading it, especially after hearing how it came together.

Brian approached Sarah with the idea of writing together and Sarah agreed; and so began an incredible process of writing mainly via What’s App! With no actual ‘plotting’ the story unfolded between them, each author taking on one of the central characters. Brian would write the story from Nicu’s point of view and Sarah would write the story from Jess’ point of view. Rather than plan the story, each author would write responding and reacting to what the other author had produced, so the process was totally organic.  With their own varied approaches to writing it was clear from the conversation that their various strengths and weaknesses blended well.  And unbelievably it took just five and a half weeks to write!  Both authors shared what they had learnt from the process of a joint writing experience. Amongst other things, Brian, to plan a bit more and Sarah, to keep the gremlins of self-doubt at bay! It also came across as a very brave thing to do, which Nikki Sheehan highlighted saying that as a writer ‘giving’ your story to anyone is like giving something or someone very precious away.

When asked if they would do it again, both agreed there wouldn’t be a sequel.  They also said they’d consider writing together again but perhaps in prose. They both have ideas of characters bubbling away so perhaps it’s a case of watch this space!  It sounded like it had been a very rewarding but also quite challenging experience and it was fascinating to hear the creativity behind it.

As a young girl, I will admit I really disliked poetry. Having studied Chaucer (the original text) to death when I was about 14, I think you could forgive me for being put off poetry for some time.  I was somewhat sceptical when I first heard about The Weight of Water and whether it would appeal to young people based on my own youthful experiences. Sarah shared how in the UK it had been a much harder ‘sell’ because of some negative attitudes to poetry.  She pointed out that young people are often more flexible than their elders and they quickly embrace different styles of writing.  Not only that, for many it appeals as it’s often a quicker read and can be easier for children with dyslexia. Sarah described writing in verse as like sewing lots of different pictures together and how you can get to the heart of the story much more quickly when you don’t have to describe every tree and every ‘high road’! Brian and Sarah both talked about how writing in verse enables the reader to use their imagination to ‘fill in’ the blanks, creating those elements of the story that are left out, in the way they choose.  In that sense, it can be incredibly powerful and also very personal.  For me, reading in verse is an amazing way to communicate a story and has gone a long way to restore my love of poetry.

I wasn’t aware that both Sarah and Brian were previously teachers and both of them talked about this and how it informs their writing. Brian spoke about how he would often be talking to the reluctant readers in the classroom so that he could engage them in even just a small amount of reading, so they could feel a sense of achievement and enjoy stories like anyone else. Not being much of a reader himself as a teenager, he can relate to those who don’t read and even now doesn’t read books with a tiny font.  Brian commented that he writes books for people, about real life and real situations and for those who don’t like this, well, they don’t have to read his books.  I can’t help but agree with this sentiment.  Life is a varied and many splendoured thing and writers can choose what they want to reflect on and the reader can choose what they want to read.  Hence why book choice is so personal – and so important.

Sarah shared that as both a teacher and a mother, she felt a sense of responsibility in being very aware of what she chooses to include in her books and that she always likes to end with even just the tiniest glimmer of hope – even if the ending isn’t a ‘happy’ one.  I can’t help but agree with this too – life is hard and full of difficulties, but it’s often our hope in each other and the future that keeps us going and it’s good for young people to believe this.

Brian and Sarah were both hugely entertaining to listen to, and I can only imagine how excited their agents and publishers were when they were told they had written together; this confirmed by the Bloomsbury representatives and Brian’s agent in the audience.

It’s what I love about the world of books and reading; people are so passionate about stories. Listening to those who write them, hearing their enthusiasm and the creativity behind the story is totally inspiring.  I’m so glad I was able to attend and if Crossan and Conaghan are visiting a Waterstones near you, make sure you go if you can!

A review of We Come Apart will follow soon!

15 December: Natasha Carthew

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Author Natasha Carthew joins our Christmas calendar!

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Natasha Carthew is from Cornwall where she lives with her girlfriend of nineteen years. She has had three books of poetry published. Her first novel Winter Damage was nominated for the 2014 Carnegie Medal and shortlisted for several national awards including the prestigious Branford Boase Award 2014. The Light That Gets Lost published in Winter 201.

Name three things on your Christmas list this year! Book Vouchers (behind every good writer is a great reader); new hiking boots (I walk everywhere and my old boots are full of holes); a puppy (really!)

Christmas is a time of family traditions – what are your best (or worst!) family traditions? The best is hunting down the Christmas tree; as kids we used to ‘find’ one in the local woods, but these days my girlfriend and I spend a full day travelling between barns, farms and garden centres in pursuit of perfection. I also love foraging for things like fir cones and holly to make into decorations.

What is your favourite story to read at Christmas? Winter Damage by me! I wrote this book outside in a particularly cold winter and because it was my first work of fiction I read it every Christmas to mind me of that time. It is set in a snowy Cornwall over two weeks running up to Christmas so technically it is a Christmas book and is best read in front of a roaring log fire (and with a box of tissues.)17205326

If you could have Christmas dinner with anyone (alive today or person from history) who would it be? All my favourite writers, songwriters and musicians so we could have a huge party filled with readings and acoustic music (too many to mention here).

(Love the sound of this; what a brilliant idea!)

You have often spoken about your love for the Cornish countryside and the outdoors. What would be your ideal view if looking out of your window from home at Christmas time? The one I am lucky to look at every day; green fields, woodland and part of Bodmin Moor, but perhaps it could do with a little more snow, especially at Christmas.

You write both poetry and prose. Your novels have been described as ‘lyrical’ and having their ‘own poetry.’ Do you think it’s possible to 9781408835876separate the two forms of writing and if you had to choose between the two, which would it be? At this time in my career I would choose fiction writing. I’m a storyteller and I find sometimes I can’t say all I want to with poetry, but saying that I am working on a longer, book-length poem at the moment. I don’t think there’s any need to truly separate poetry and prose and thankfully readers are becoming more open to untried/lyrical writing such as mine.

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Reader’s question from children at the Inkpots Writers’ Hut; we are often told keeping a journal can help our writing. Do you keep a journal? If not, what do you do to help inspire you? Keeping a journal or ideas book can definitely help with your writing. I have a memory book where I stick things like photos, ticket stubs and flight tickets which I have been doing since I was really young and I also include any poetry I have written so the book records a kind of timeline of my life (like a diary). I also have a beautiful leather-bound journal where I write ideas for new books and collect inspirational quotes and pictures for settings, characters or whatever.

(Great advice!)

Turkey or goose? Nut Roast (I’m Veggie).

Real or fake tree? Real!

Mince pies or Christmas pudding? Mince Pies (Homemade).

Stockings – end of the bed or over the fireplace? Fireplace.

Christmas Eve or New Year’s Eve? Christmas Eve.

Thank you for joining our festive author calendar! Happy Christmas!

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Find out more about Natasha at www.bloomsbury.com and follow her on Twitter @natashacarthew.